In the 1880’s, Eadweard Muybridge (and no, that’s not his
original name. He was born Edward Muggeridge) pioneered photography of animals in motion. He’s most famous
for having solved the age-old riddle of whether all four of a horse’s hooves
ever leave the ground at once (answer: yes--see below).
Muybridge’s photographs put together into a film.
Since his experiments, we’ve had a better understanding of
animal locomotion, and this knowledge shows in post-Muybridge art work. The error rate for
correctly depicting animals in motion fell from 84% before his studies came to
light to 58% afterwards. Now, would you like to know how good prehistoric
people were at depicting moving animals? The error rate in cave art is 46%.
This interesting comparison is courtesy of some Hungarian
researchers led by Gabor Horvath of Eotvos University. They collected 1000
examples of art containing quadrupeds in motion. Their samples included both
2D (paintings, drawings, reliefs) and 3D (statues) art pieces. Because the
authors assume that there are 60 possible combinations for placement of all four feet (right forefoot in front and on the ground, right forefoot forward but raised in the air, etc.), 16 of which occur in nature, they come up
with an error rate for random foot placement of 73%. That is, before
Muybridge’s studies, people did worse than chance at depicting moving animals.
To see what the authors meant, let's look at a couple of examples. First, here's a drawing of a horse from
the Lascaux Caves in France.
Even if you're not sure where the ground would be in this drawing (is the left forefoot lifted?) this animal is anatomically
correct. Score one for cavemen.
On the other hand, look at this pre-Muybridge modern drawing:
On the other hand, look at this pre-Muybridge modern drawing:
Horvath G, Farkas E, Boncz I, Blaho M, & Kriska G (2012). Cavemen were better at depicting quadruped walking than modern artists: erroneous walking illustrations in the fine arts from prehistory to today. PloS one, 7 (12) PMID: 23227149.
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